Collab with David, who gave me some words and I squeezed out a drawing.

devidsketchbook:

Andres Bedoya   “Ultra Madre”   [Video]

In 2009 Andres Bedoya organized a haunting performance installation “Ultra Madre,” in which 57 women lay still on the scaffolding of the main arch of the Museo Nacional de Arte in La Paz, Bolivia. For one hour the women did not move, their long, black hair cascading down the 15-foot structure. The jarring image of the soft hair against the rigid architecture stirred a quiet but lasting sense of unease.

Installation and Performance - mixed media, approx. 8’ w x 15’ h x 5’ d, National Museum of Art, La Paz, Bolivia, 2009.

Kevin and I kept trying to meet up to have dessert and all our plans kept falling through. I told him we were star-crossed.

I finally got around to drawing some things.

unknownskywalker:

Aerial by Baptiste Debombourg

Debombourg used numerous sheets of shattered laminate glass to mimic a frothy flood of water rushing into a room.

lionskeleton:

Lauren Clay

pulmonaire:

Paige Smith of A Common Name has been installing colorful geodes within the gaps of crumbling buildings and other public infrastructure on the streets of L.A. 

monaux:

The final version of the Key & the Flame cover, for Simon & Schuster.

booksactually:

“You are beautiful, but you are empty. One could not die for you. To be sure, an ordinary passerby would think that my rose looked just like you — the rose that belongs to me. But in herself alone she is more important than all the hundreds of you other roses: because it is she that I have watered; because it is she that I have put under the glass globe; because it is she that I have sheltered behind the screen; because it is for her that I have killed the caterpillars (except the two or three that we saved to become butterflies); because it is she that I have listened to, when she grumbled, or boasted, or ever sometimes when she said nothing. Because she is my rose.” - The Little Prince

(Source: itsinheavennow)